Sunday, January 25, 2009

Chapter III - Customs and Tales From The Isles of Morph



Sacred Love

The customs leading to and surrounding Sacred Love on our islands are physiological in nature and thus more a defining characteristic of our particular species.

Female Morpharchians are responsible for manifesting the Sacred Love Transformation. Born with a uniquely female chromosome, it is their ‘kiss’ that eventually potentiates the unmistakable Magic in their eyes and the eyes of their male Morpharchian soul mate. In fact, “Love Struck” is a termed originally coined in Morpharchengigel.



Once Sacred Love has been discovered, and the initiation complete, the eyes of the United Couple are simultaneously illuminated. (see Figure #1) This illumination cannot be mistaken for anything but True Sacred Love. Each of the four irises bear an identical ‘thumb print’ or genetic code. This physiological transformation confirms not only the Perfect Union, but also serves to identify Two Souls discovered and One Love created. The female dominant gene (always manifested in the left iris) is then past on to their children. It is thus very simple to identify family members on the islands for the parents and children all bear identical left irises. This phenomenon is unique to Morpharchians and as such the country has long been consider the international and leading scientific authority on the subject of Iridology.



Figure #1







This is not to say it is only the female Morpharchians who determine Sacred Love. Male Morpharchians are also born with a physiological gift, unique to their gender. It is commonly known as the Wandering Eye and it too ensures the survival of our species. (see Figures #2 and #3 below)





Figure #2







Figure #3





The male Wandering Eye can take many aerial shapes but each have the ability to fly. On each Full Moon the skies are alive with the eyes (similar to ‘stars’) thus the saying “He has stars in his eyes” This event corresponds with the luneal reproductive phase of a female Morpharchian. It is a spectacular sight to watch in the skies over the islands each month.





Head Dress Morphology – Mind Reading



Central to the Sacred Love phenomenon described above is the Female Head Dress. It is infinitely more difficult to illustrate and seldom captured on film. You see, the Female Morpharchengigel Head Dress is essentially ethereal. It reflects the female internal state of mind and as such, is a dependent variable linked to individual thought, mood and environmental influences. In order to ‘see’ a Head Dress, a Morpharchian must have first acquired The Four Rings of Awareness (described in Chapter 4) Because of this Rite of Passage prerequisite the Head Dresses captured by normal photographic technology are rare. The two examples illustrated here reflect the current “State of Mind Head Dress” as well as provide perfect examples of the “Sacred Love Phenomenon” In Figure #1, notice the characters contained within the Head Dress. From this one can draw a fairly accurate conclusion the woman is either currently an audience participant at a theatrical event or is performing herself. Of particular note, we can ascertain she has located her Soul Mate because her eyes are illuminated and within her left eye we see her Soul Mate, commonly reflected as a Clown Figure. (For a comprehensive overview of common Male subtypes, please refer to Chapter 9)

In contrast, Figure #4 (see below) illustrates a Morpharcian woman without iris illumination and therefore still “single.” Her Head Dress is more ephemeral but indicates she is “In Spirit with Nature.” If you examine the image closer, you will see the evidence of a “Wandering Eye” encased in a hot air balloon. Unfortunately, this encounter did not lead to a Sacred Love Union. The presence of the Red Frog’s Shadow is the telltale sign that the attempted union failed. Perhaps, had she not been so anxious to find love, she would have seen the Red Frog’s shadow prior to wasting her kiss. Chapter 11 dives into this subject of “Frog Kissing” in greater detail.

Figure #4

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